Chicks on Speed

Chicks on Speed are a female electropop group which got its origins in Munich, formed in 1997 after the members had met through the Academy of Fine Arts, Munich. Chicks on Speed's core members consist of Alex Murray-Leslie (originally

Chicks on Speed are a female electropop group which got its origins in Munich, formed in 1997 after the members had met through the Academy of Fine Arts, Munich. Chicks on Speed's core members consist of Alex Murray-Leslie (originally Nicki Murray-Leslie; born September 1, 1970, Australia), Melissa Logan (born September 9, 1970, USA) and Kiki Moorse (the daughter of the late film-maker George Moorse; born March 23, 1967, Germany). Around Chicks on Speed there is grouped a large and ever-changing collective of musicians, producers, graphic artists, designers, film and video makers, and so on. Though usually considered part of such musical genres as electroclash, actually Chicks on Speed started as a multidisciplinary art group, who applied punk-inspired DIY ethic to performance art, collage graphics and home-made fashion (they have created their own stage costumes with cheap and recycled material such as plastic bags and gaffa tape, for example). They originally got their name when they earned some extra money at art galleries by hanging paintings to the walls, and someone quipped that they worked like "chicks on speed". They had their own club nights at Munich's Seppi Bar: Chicks on Speed had created an installation piece which was called "I Wanna Be A DJ, Baby", where they stood behind DJ decks and smashed records while a sound collage tape was playing. For this project they also put together a "box set" with a T-shirt, a cassette, a paper record and a fake interview for their "band", at this stage yet imaginary. During this time period they met Upstart (a.k.a. Peter Wacha) of Disko B record label who helped Chicks on Speed to actually get started in music.

Chicks on Speed's attitude, combining punk rock aesthetics and feminism -- inspired among all by the cultural criticism of such people as Situationists, Valerie Solanas or Stewart Home -- towards music-making is mischievous, prankish and not a little bit ambiguous; they have jokingly called themselves a "fake band", as a sort of parody of producer-led girl groups like Spice Girls. On the other hand they are very serious about running the whole business; with single and album releases, promotional videos, tours and their own record label, not to mention their art exhibitions, performances, fashion designs and similar activities. The ambiguity is about whether they want to remain an experimental art project or aspire towards being a pop act making it all the way to the charts.